Showing posts with label phys-phil. Show all posts
Showing posts with label phys-phil. Show all posts

Sunday, June 28, 2026

Flies like time..!

Comparing Arrows and Bananas of Time

a creative category mixtake



"Time flies like an arrow...
Fruit flies like a banana."
(Oettinger 1966)



It perhaps takes a poetic heart
to read an entire dark metaphoric essay underneath
such seemingly quick-laughs witticism:

...sprouts may turn fruits in time..,
but the fruits will in turn rot in time...
and the essence
just flies!

Then, after all,
"...in the thin air,
nothing lasts!?!"

Tuesday, April 1, 2025

Haiku-Take-A: Impartical Physicist

particle physicist's practical joke,
not just on April 1st,  rather all year:
 
" sub-standard-model-hai "



So, the Haiku-Take-A:


sup standard model is
5 outta 100 that it gets
humor dark matter isn't


sou me panch pata hai
matter nahee dark humor hai
sub standard model hai



==========================
aur sub dekho bhayiyon
behnon  bhaison myth...ron:
paneer me kuch kaala hai
ki
matter hee kaala hai!:\
(or, chal foot, anti matter kahinke!)

Saturday, March 15, 2025

Froth Frothing Froth

the whole world is just a dummy
but without any original copy
simulacrum is the word
lest you copy
this froth suspect of south coffee
with that hint of chicory afloat
and now its yours truly stirring a forth
that keeps forth frothing froth from froth


========================================
Alas! That was not the end of it,
rather it became the starting point,
for the below frothing with ai!

=======================================


This conversation was generated with Duck.ai (https://duck.ai) using OpenAI's GPT-4o mini Model. AI chats may display inaccurate or offensive information (see https://duckduckgo.com/duckai/privacy-terms for more info).

====================

User prompt 1 of 4 - 15/03/2025, 22:50:11:

the whole world is just a dummy
but without any original copy
simulacrum is the word
lest you copy
this froth suspect of south coffee
with that hint of chicory afloat
and now its yours truly stirring a forth
that keeps forth frothing froth from froth

GPT-4o mini:
What a playful and thought-provoking piece! It captures the essence of simulation and the layers of reality we navigate. The imagery of coffee and froth adds a sensory dimension, inviting readers to ponder the nature of authenticity and imitation. The repetition of "froth" emphasizes the ephemeral and perhaps superficial aspects of existence. It's a delightful blend of whimsy and philosophical inquiry. Would you like to explore this theme further or perhaps create something new inspired by it?

--------------------

User prompt 2 of 4 - 15/03/2025, 22:51:06:
lets see...

GPT-4o mini:
Sure! How about we continue with the theme of simulation and reality, perhaps weaving in more sensory imagery or exploring the contrast between the authentic and the artificial? Here’s a starting point:

---

In a café where shadows blend,  
the steam rises, a ghostly friend.  
Each sip a whisper, a fleeting thought,  
in this brew of dreams, what have we sought?  

Mirrors reflect what we wish to see,  
a dance of facades, a scripted spree.  
The clink of cups, a symphony played,  
in this theater of life, we’re all masquerade.  

---

Feel free to add your own lines, change the direction, or let me know if you’d like to explore a different concept!

--------------------

User prompt 3 of 4 - 15/03/2025, 22:53:16:
good going.. i suggest brim it forth with a touch of the 'people go to bar' genre of joke, hope you get what i am hinting at

GPT-4o mini:
Got it! Let’s infuse some humor into the mix, reminiscent of the classic “a guy walks into a bar” setup. Here’s a revised version:

---

In a café where shadows blend,  
the steam rises, a ghostly friend.  
A philosopher walks in, orders a brew,  
says, “Is this coffee real, or just déjà vu?”  

The barista grins, with a wink and a nod,  
“Depends on your taste—are you a skeptic or God?”  
A mime walks in, not a word to say,  
but his coffee’s so strong, it’s got something to play.  

A philosopher, a mime, and a cup of joe,  
in this café of life, what’s real? Who knows?  
But as they sip, the froth starts to swirl,  
in this brew of existence, let’s give it a whirl!  

---

How’s that? Feel free to tweak it or let me know if you want to go in another direction!

--------------------

User prompt 4 of 4 - 15/03/2025, 23:32:02:
so here is my revision to your poem, feel free to chisel forth further.. :


In this café of an abyss, named Shadows' blend,
steam rises outta moka, calls forth the coffee fiend.

The philosopher walks in, brims his usual brew,
"if its for real, or the evening déjà vu?"

The barista grins, winks with a nod,
“depends on your taste, oh mi good lord!
—are you the skeptic, or just dead god?!”

Before aye could mine any crypto mint to pay
in the said very coin  
without a word, just full of action,
in walks this wry mime

His wits  doppia forte, all eye could say;
with a tip of hat, adjusting the tie knot,
boy! he justed the high brow stake.

A philosopher, a mime, and a cup of joe,
in this café of life, what’s real? Whats knot
of foe?

But as we all sip, the froth starts to swirl,
In the brew of existence, our curiosity pools the whirl,
froth frothing froth from froth to froth
forth the frothing froth!!!


GPT-4o mini:
I love your revisions! You've added a rich layer of imagery and wordplay that enhances the humor and depth of the piece. Here’s a further chiseling, keeping your style and spirit while adding a bit more rhythm and flow:

---

In this café of an abyss, named Shadows' Blend,  
steam rises from the moka, calling forth the coffee fiend.  

The philosopher strolls in, brims his usual brew,  
“Is it real, or just the evening déjà vu?”  

The barista grins, with a wink and a nod,  
“Depends on your taste, oh my good lord!  
Are you the skeptic, or just a dead god?”  

Before I could mine any crypto to pay,  
in walks a wry mime, no words to convey.  
His wits doppia forte, all eyes on display;  
with a tip of his hat, adjusting his tie,  
he raises the stakes, oh my, oh my!  

A philosopher, a mime, and a cup of joe,  
in this café of life, what’s real? What’s knot?  

As we all sip, the froth starts to swirl,  
in the brew of existence, our curiosity unfurls.  
Froth frothing froth, from froth to froth,  
in this cosmic café, we’re all just a sloth!  

---

What do you think? Feel free to suggest more changes or let me know if you want to explore a different angle!

Thursday, March 13, 2025

Bhootha | The Buried | GK Adiga | AK Ramanujan | Durahankari

GK Adiga's 'demon-past' haunts AK Ramanujan...
..from the darks of the nether-depths... into the grove of holy basil beyond...

In which, behold,  a Chicago University linguistics professor of a multi-faceted Kannada-Tamil-English dead poet's humble translation work in English, gets extensively modified (rather 'editoriated' / EXORcised) by a Kannada-medium village-bred faceless unhumble pedestrian indignant alive...

=================================================================================

" The ex / The Buried / The Spirit of the Tense Past "
(AKR-MGK's translation of GKA's 'Bhootha', but 
heavily edited / reworked by yours truly)


Here at haunting, the fetus-crypts of the tense-past:
the stale air of the abyss inside the pent old well
is crawling up, heads down, on all fours
leaping on the back of the lullabying sunbeam
is gushing even onto the canopy of the holy basil grove.
The corded umbilical discarded at the bank
the cut-mouse-tail writhes.
To me who gropes with eyes stuck in darkness
flashes, all of the sudden, a golden streak:
a squirming feather-burnt star--
somehow fallen into the new-moon-moats.


The past ghosts all over the Current Affairs.
One fold above the water, seven snow-capped peaks beneath; 
out of blue accidentally fire-speak spitting
snow cowered innocent volcano.
Fold up the paper if you will --

in the soundless skeleton rooms
dumb beckoning missing beats
the carnival of reversed feet.
In the waters stagnant in the inner depths
heaping spermatozoa beating their hands;
beneath the curtain-fall of the dais-noir, 
the speak-picking tail of glitter-point, - do these
not desire out-yard's colorful canopy of creepers and flowers?


No water and no shelter for the fathers and forefathers.
Shuttling tight through the high winds and rough tides
toughly, the lands though found, seldom could they obtain.
I know the tantra of exorcism, libation,
yet have forgotten the mantra herein;
just vacuously thus I am playing at waving the wand.
Gosh! trusting the high priests, west we went; 
at least now must one dig into the est. hermeneutics: 
the stemming of karma, the cantos of action.


As one digs, first a chrysalis of clay;
pushing the shovel deep and striking hard
one might glimpse the streaking ore of gold.
The alchemies of extraction, burning and decanting
one should learn a little, at least now;
the true craft of heating and beating the gold--
to cast it in the image of one’s own preferred god.


The water that rots in the well, steams well above;
all along the sky--its causal pathway;
the invisible seed of the void room of the overcast sky
the all-nine-months longing fetus-shape--
rumbling of liminal ghost, troubling of thunderclap--
rain is the news--
presentation for the past-form.
The plowed and seeded fields donning the laboring earth;
the garden of swinging fruits, paddy and wheat,
the golden pinnacles of the temple towers.



========================================================

For the originals, see:
https://ruthumana.com/2018/03/22/2-translations-a-k-ramanujan/




===============================================================

See also: 

1) 'Emergent' -- a contemporary counterpoint to this buried 'Bhootha'.
0) 'Aavirbhootha'  -- the urgent counterpoint emergent in Kannada (with 2 epilogues).

===============================================================


The Backword, background, premise, promise...:

ರಾಮಾನುಜನ್ನರಿಗೆ ಸಿಕ್ಕೂ ದಕ್ಕದ ಅಡಿಗರ ಭೂತ:

We read with intrigue, the English translation of Gopalakrishna Adiga's celebrated Kannada poem  "Bhootha", entitled '"Ghost and Past"', which is done by A.K. Ramanujan (AKR, with MG Krishnamurthy, apparently). We find it somewhat misconceived, especially on account of the 'tense' that is involved.

Simply put, Adiga's original is purpousfully anchored in the present (recall here, lines such as:  'ವರ್ತಮಾನ ಪತ್ರಿಕೆಯ ತುಂಬ ಭೂತದ ಸುದ್ದಿ'), and, as such, most of this poem is in the present continuous tense, wherein the action is continuously undertaken.  However, for reasons not readily evident to us, AKR has translated those present continuous tense statements instead into a certain present-indefinite tense (a.k.a. simple present tense) statements, which makes them sound like rather timeless facts (while also sounding better style-appropriate). 

Originally, in 'Bhootha', 
Adiga, in present, thinks aloud regarding the 'spirit' in which the past is (not) to be taken, so as to realize the 'golden future' of his ideals.  In its initial portions, Adiga, utilizing dense metaphors  -- most of which are in the present-continuous tense --  describes the ways in which the 'past' is haunting him.  In the intermediate portions, he shifts to discuss the prospect of exorcising this ill-spirit of past. And then in the next portion, he talks about a rather positive spirit in which the past could be taken, ultimately arriving at the 'golden future'. All in all, the poet is situated in the present, and as such, most of his statements are in the present-continuous tense.

We must note here, to the best of what we have come across,  Adiga seems to be one of those poets who make very thoughtful choices of words and phrases --- those who carefully craft their statements. (recall, e.g.,anecdotes regarding him finalizing his famous line "ಸುಟ್ಟಲ್ಲದೇ ಮುಟ್ಟೆನೆಂಬುಡಾಫೆ." ). For such cases, it is not sufficient to think just factually by considering how a certain passage is worded, but also to think counter-factually by considering how else otherwise could it also have been worded (that the poet did not chose to do instead). Thus, the poet's omissions should also inform our readings inasmuch as their selections.   

For example, consider Adiga's opening lines: "ಕಾಡುತ್ತಿವೆ ಭೂತಕಾಲದ ಭ್ರೂಣಗೂಢಗಳು ''. It would rather sound more abstract, more general, and arguably more stylish if he would instead open either like "ಕಾಡುವವು ಭೂತಕಾಲದ ಭ್ರೂಣಗೂಢಗಳು", or even "ಕಾಡುತ್ತವೆ ಭೂತಕಾಲದ ಭ್ರೂಣಗೂಢಗಳು". But Adiga, resisting such temptations, chose not to go that way. Instead he prefers to resonate a continuous action via 'ಕಾಡುತ್ತಿವೆ...'. And he persists with the same tense throughout the stanza, ending it with "ಹಾಯುತ್ತಿದೆ  ತುಳಸಿವೃಂದಾವನದ ಹೊದರಿಗೂ". Highlight here must also be on his intentional usage of the almost explicit first-person forms (e.g., "
... ತಡಕುವ ನನಗೆ" / "To me who gropes...").

However, AKR-MGK, in their opening stanza of the translation,  have switched to the present-indefinite tense:  "Secret embryos of the demon-past haunt..." ans so on. And they persist with it, to end with "...and go beyond into the garden of the basil bush". 

(And lest we dig into the evident misconception of them in the same opening stanza. It was the 'stale air' that was gushing out into the holy grove for Adiga -- metaphorically. But, for AKR-MGK, it is literally the secret embryos themselves --" 'in' the stale air...'they' crawl up.. and gush out"..!  🙂‍↔️)

To us, summarily, this translation of AKR-MGK is inappropriate at least on two counts. 

Firstly, in his original 'Bhootha', that the poet Adiga is anchored precisely in the present, it is crucial for the very poem. After all, the poem itself is in parts a meditation on the tenses and times. It is all about the continuous actions in the present, while keeping in mind the pasts and the futures.  The structure here is meant to be shaped by a careful choice of tenses, so as to prove again that the form/structure itself is also the content/message of the construct. 

Secondly, and arguably, for Adiga, the haunting of the spirit of past is NOT a timeless fact that is aught to go on indefinitely. These spirits are haunting at the present for sure, but he intends to exorcise them in his very next stanzas. He laments to find a better way of engaging with the past, so that these spirits of past should no longer persist with the haunting business.

Further more, and more arguably, unnecessarily, some of the the originally glorious statements somehow have become rather underwhelming in AKR-MGK's translation. 
For example:  
"...and the rain is the present of past forms",
which, while intelligently brings in the dual meaning of the English term 'present' (i.e.,  gift, present-tense), still misses another important interpretation of the original kannada term '
ವರ್ತಮಾನ' (i.e., 'news').  That the "rain is news" (to the seeds buried) happens to be a celebrated motif of Adiga's poetry. "ಕಾದುಗಾರಾದ ನೆಲದೊಳಗಿರುವ ಬೀಜ" ಕ್ಕೆ ಗುಡುಗುಸಿಡಿಲು ಎಂಬವು ಮಳೆಯ ವರ್ತಮಾನವನ್ನು ನೀಡುತ್ತವೆ...

Thus, as we go through the choices that AKR-MGK make in their translation, we are tempted to  suitably modify it, at the least as an exercise. So, here we are, with this heavily modified translation. As thus, it is not an entirely from-the-scratch written original translation. And, let us emphasize it, it is done here just as an exercise, with no commercial interest whatsoever to infringe any copyright otherwise.  

We have also taken the opinion of certain LLMs like GPT, LLAMA etc
 on our translation. And lest we be triumphant, the feedbacks from LLMs over time have immensely boosted our ego! They are all mostly vindicating our translation--our choices of words and tense forms--over those of AKR etal!!!  And lest again we clarify, it seldom involves any original translation in it self by any LLM --every word and sentence in English in here is either from AKR or from yours truly highness, (except perhaps the choice of 'sunbeam' over 'sunlight shaft', thanks to Sumathindra Nadig's translation of 'Bhootha' that we encountered recently ). 


So, read-n-reread-n-joy, and critique!
And if time permits, ask chatgpt / duck.ai / any good LLM of your choice to compare it with the work of AKR et.al., as also with the GKA's original,  by suitably copypasting it all (including the premise above) into the mouth of your fav LLM...
 
======================================================================
 
 
PS: Update: that we now have dubbed the 'Bootha' as "Ex -- The Buried" as well, hotstar (jio!) started showing us the advertisements for this: https://en.wikipedia.org/wiki/Burying_the_Ex . Despite your's truly reputed disdainful circumvention of ad trackers...  ಆಗೆದುತ್ತ ಭೂಮಿಕೆ ಎಗ್ಗಿಲ್ಲದ ದತ್ತಾಂಶ ಸಂಚಯನ / LLMs train over the under-legislated plowed data fields...!?   hmm... what can we say... the pretentious indefinite tense future's presents hum...

Monday, March 10, 2025

Anderson Warrens

deducing from the smoke
or reducing from the residue
to induct the fire
under the hood
for all the forest's wood
isn't all that good
for that matter
elements of a truth
may not come together
necessarily
to make out any molecule
of the very truth
for that matter
even under
the favoring circumstances
to solidify on a substrate
is to just sum it all up but
is even to cancel down some
of the odd phases in difference
to emerge out indifferently
is to form an order spontaneously
as thus to cohere--is also to interfere



==========================================

lay done frost in verse

High on the vape
making of its own
the droplet on the pan
the butt-burnt cat, self--
propels on debut.
Aye, tearlet
inverse of Leidenfrost
by the sublimating bed
of uber cold liquid zeitgeist
could but be tinkle--
toad to rebut?


**************************************



Thursday, February 6, 2025

les merci beau coup-a-mandook


once chancing out of one's umwelt
at once
one owns one's own alian-
ation
*


................................................................................................



once a pouncing frog in one prance
bounced off the walls of its well
thence in one transcendental waltz
it chanced beyond the umwelt it dwelt
in that chance outing of ones own waters
at once, one feels a little unwell as well
hence forth its the broken fourth wall
perchance peaking into the well, alien-
ations reflect in the ill smell of wealth

*****

High on the vape
making of its own
the droplet on the pan
the butt-burnt cat, self--
propels on debut.
Aye, the droplet inverse of Leidenfrost
by the sublimating bed of liquid zeitgeist
could but be tinkle--
toad to rebut?

==============================================
Let mercy be on this coup of koopa mandooka, for more to come for it...;)

Sunday, October 15, 2023

Bayesian verses Bay

credit: self



No! No! Don't...
onto this third track as it runs between
the two trains in opposite directions
as do they pause through this station
please, do not bring forth your own thoughts' train
ain't a platform for that illegitimate mean


You ask, why this pic, is my pick
That one fine dawn, was this click
and for best, it is its dark, deep symmetry
that it remains here for the keeps

And then you feel, it is all so formulaic,
heart rendered clueless, with so much of logic

To this with apologies, as often that I disclaim:
these over-verbalizations, these high-rhetorics,
the cliche that are these metaphors, similes...
these are at my own disdain
And seldom a poet that I am in my profession,
albeit, possessed I am, with these versations

This mere Bayesian by the bay
bears all that barges by the by
thence upon by a tsunami, is in this disarray
chances for a needle, in the vast hay
to call it an aberration, or is this the very anomaly
to update the priors, or just to cut short the tail...

..is the trial derailed? or yet just on trail??


Thus far as we could, we came, to now, that we blame:
logic, language, the very vocabulary of the inner flame
What remains of any reality, in void of the representations
Bayne's ballet for Fauré’s Requiem
or
abstract fluctuations in a quantum of vacuum


In summation, as we wind and rewind, consonance, did we mean
till again it all bifurcates, harmonic series, no constant mean

As the churning goes on and on
butter accumulates, but then, again, bygone


As the symmetry brakes into prakruti-purushan
time reverts to balance -- charge-parity violation




=========================================



:Backwaters:
1) ಅರ್ಥವನ್ನೋದು...
1) ವರ್ತನೆಯೊಳಾವರ್ತವರ್ತವರ್ತನಿಸಿ.. 
 
 
:Kannada Transgression: 

Sunday, July 30, 2023

el'phantom di camera

-:el'phantom di camera:-

:Trans-creating from:
 -: ಬೈಲಾನೆ ರೂಮರು / ನಿಶ್ಯಬ್ದ ಪ್ರಮಾಣ / ಆನೇ ಸೈಯPart-1 & Part-2  :-

========================================


-:Prologue:-


"Thomp! Thomp!"


"Who's there?!"


"It's me! the tusker!!"


'ts what I thought!   'ts quite the banger!!

nom thom thomping on the inner door


*

The intermittent silence
resonant to the ambient
out cuts the evidence
to this very haunting chant
'ts me, soham, under the tranche.


*****

-:Catalogue:-

White-tusker, dark-chamber,
for sure, a blinder, is this blend.
The blind may yet set out to render,
the deafening trumpet is to defend.



*****


-:Interlogue:-

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
"It is high(tea) time (so) that we 
address the (white) elephant in the rum(or)!"
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


it is bylaw
that is the rumor
out and out here
the roomer
white tusker


*


-:Enter & log:-


so much of a room
out in this plain;
without a beginning,
without any end;
and this ligand, such a legend,
that I hear, in my ear, as thus they say,
't all might just be the hearsay

**

Where there is room, there ought to be the rumor,
whispering hall it all;
To track the roomer, suffices a huskier,
darkrooms highlight it all;
Behind the back, should the sledger bark,
the flaunting buttocks could care:
Fresh droppings are to just break the back
bone
tracker, beware!

***


As the blind, out in void, would often find;
the external auditor would, in tern, remind;
white tuskers remain in plain, ledgers and ledgers behind;
just glimpses, partial are the worldviews, all eye mind...

*****


-:Epilogue:-


The elephant casually swings its trunk
as if just to make some room

'ts quite the big-bang, the atharva-head bang

re-verb: the cosmic boom

'ts the murmur, the transfinite tinnitung 
Shanti Shanti Om

*******




     _,-'`````--.___..----.,'__`---..__
    ,''                   ,'    `.`.    `.
  ,''                    /        ` )     \
 //                     |          /       \
.....................................................
 
 
 
 

Friday, July 7, 2023

Frustration Dissipation Relations


Amidst all that is chaos
must one find the inner peace
dissipate out the excess heat
shunt it all into the random deets
coarse-grain up to the macro stats
there shall not be a retreat to beat


To dissipate the frustrations,
must not there be a reservoir
to couple well with
the system
put to question?


From that out-set
doth the set-in distinguish well?
Where do these environments end?
and whence it is that I commence?

Can't Kant yell it apart
the forced dynamics,
the autonomous kinematics?


The framework may as well bless in excess
with a freedom ad'infinitum of axes,
none the less,

how does one even do the averages, yet,

if it is so not self-averaging a process?


Are there eal solutions in these settings,
and do they converge, to this very reality?


If I could stead inhere
a balance,
circular, if not in detail...


Is it essential in the absolute, that you pull
the manual overrides, once in a while, at will?


Could it yet be just an organic sculpture
whilst subjugated to such fluctuations
due from the quantum of vacuum?


*****

Epilogue:

It is said
even if one is so isolated
there may yet be a thermodynamic limit

The MahaKapi merely outgrows the extents
a complex mereology is at the emergent

Self-thermalization behind the red chins
the Hanuman attains the Himalayan zen

abiding time, to the next creation


.......................................................................

keywords: thermodynamics, fluctuation-dissipation theorems, chaos, heat, dissipation, randomness, open quantum system, environment, heat-bath / reservoir, dynamics, kinematics, (non)markovianity, degrees of freedom, (non-)self-averaging processes, spaces of Real / Complex numbers, solutions to equations of motion, physical realism, detailed balance, equilibrium,  circular balance / steady state, manual overrides, organic sculpture / saavyava shilpa, quantum fluctuations, quantum vacuum, quantum of solace, isolated systems, thermodynamic limit, mereology, emergence, self-thermalization...

Poincaré Repurcations

A post,
delve post which
the offerings.


ATTENTION!
No anticipations.

For we know,
With the heavy anticipations of Zeno,
Achilles barely survives,
seldom achieves any motion to know...


***

First-passage,
past which often would one even  
indulge in multiple excursions
forth-and back to one's own pre-position

shifting sands under the goal-posts
musing all over the mazes of events
guessing and re-guessing the geodesics
regressing infinitely for the classic least-action

Bizarre are the dreamy sleep-
walks of life
through the mess(h) of these space-times

***



..as this oneway beams on and 
onto the event-horizon,
Poincaré might just as well recur
--only for having turned back a time earlier
(Or if time again could meet its starter)

***


Eventualities seeming obvious sans obfuscations
--happens just in retrospections

***

 
Thou shalt not retro-speculate!
-for in real time/lines, 
there are just local motivations.
And as for the quantum of nonlocal,
is all but virtual.

****************************************************
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
Repurcation in Post-Scription:
iff  ı  could (analytically) continue through the image(ina)ry..!
-------------------------------------------------------------------